Born
a month before the breakup of the Beatles
Father
inundated his son with an exposure to pop music covering country, rock and soul
from the 1950's to the present
First
favorite band: The Monkees
Studied
guitar briefly. The instrument was rather large and too awkward to handle.
Bulgarian
Jazz Fusion master Stu Hachoen disregards Edward's desire to learn saxaphone (after
hearing the solo on Billy Joel's Still Rock and Roll to Me) and suggests that
he take up the piano. What follows is six years of frustration for both the teacher
and student. Edward never fully comprehended notated music: leaving him only to
his ear.
Spurned
on by an interest in the doors and other late sixties mystic rockers, Edward and
his fellow sixth grade classmates (a cultural hodgepodge of Koreans, Indians,
Italians and Hispanics) form a band called the Knoll after their stern principal
called Dr. Marcia Knoll.
After
hearing John Entwistle's bass solo on my generation, Edward resolves to become
a bassist. Takes three paperboy routes during his thirteenth summer to purchase
a Fender Precision bass which he still plays today.
Edward's
childhood friend purchases a snare drum and hi-hat. They both begin to play together
after Hal states, " You sound just like an old fat bluesman when you play
Whole lotta Love". A variety of talent shows ensue.
Jammed
and recorded sporadically throughout high school. Attended LaGuardia High school
of the Arts with an art focus but mingled closely with the musicians.
Took
a hiatus from music while attending the Maryland Institute College of Art in Maryland.
Emerged
on the Baltimore music scene with the Charles Village based Wobblies. This band
later morphed into Ozzy Ozmond.
Participated
in a variety of Sapatac contests as the bassist for Flo- a "project"
fronted by Almighty Senators Landis McCord
Keen
on the Easy-Listening/Lounge/Exotica/Elevator Music craze of the the mid to late
90's, Edward joins the Swingin' Swamis and continues to play and record with them
to this day.